Technology vs observation: the big question facing art’s future

 作者:邵乎     |      日期:2018-02-18 05:01:00
Elena Olivo, © Brooklyn Museum By Simon Ings When the schools of London’s Royal Academy of Arts were opened in 1769, life drawing — the business of sketching either live models or the plaster casts of worthy sculptures — was an essential component of an artist’s training. As I wandered around From Life, an exhibition devoted to the history as well as the future of the practice, I overheard a curator explaining that, now life drawing is no longer obligatory in Royal Academy art courses,